Simulando un refugio

by Earzumba

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about

The eleven tracks on this new album can be seen as one long track.Earzumba plays synthesizers, percussion, guitars and piano, but he knows how to process these with the use of a computer beyond the point of recognition.In one long mix, the eleven parts drift by,moving from hectic and furious sound collages to more ambient passages.As ever an eye for detail in the production, there isn't a single moment of weakness here.Strong collage approach, with hectic and nervous changes, the percussive element and 'the never a moment of silence'approach.
You can get lesser things to be compared with. Another great CD".Review by VITAL

credits

released October 6, 2005

Earzumba:theremin,guitars,homemade percussion,flauta fender rhodes,tapes,voice,maus.
Recorded in barcelona 2004/2005
RELEASED BY OLDGOLD,ATLANTA JUNE 2005

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about

Earzumba Buenos Aires, Argentina

Earzumba is one of the most daring musicians from Argentina exploring into the fields of sampladelia, pop,free improvisation, electroacoustic,drone and noise.In his work humour,meditation,interpenetration and chaos are always present trying to blur pop and experimental music into one.
His career started in 1991 being an original founding member of reynols.
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Track Name: EARZUMBA - Celebran Iguales
"Simulando un refugio" is yet another collection of improvisations and juxtapositions sounding at the same time celestially absurd and totally unironical. The often surprising chains of events set in motion by Barcelona-based Argentine Christian Dergarabedian create instant apprehension, curiosity for future underground activities, resurrection of dead sensitiveness; in a few words, Earzumba discards the easy ways through the confused mind of a superficial listener, forcing the attention on those details which seem futile but constitute instead the missing link to coherence. Looking into the trashcans of audio rejections Dergarabedian, with effortless acumen, knits and seams engrossing parallel worlds of sonic mayhem and delicious instability of our auditive mechanics.MASSIMO RICCI (TOUCHING EXTREMES)